Crossing the Bar Again

Lobstering Off Eastern Point                                                    © Jeff Weaver

In the slosh and tumble of waves around ledges,
at the favored lobster spots close to shore, the white working boat
maneuvers about rocks, gear shift growling,
runs down on pots, the men scooping them up,
hauling traps aboard, pulling the writhing bugs out, checking length
sometimes tossing most of them back in
thinking it’s time to shift the pots further offshore.
It seems the hold is never quite full,
when they turn the helm to home.

It’s not all work, for there is a time
for awe and wonder in going
to and fro, in foggy uncertainty, or clear air
when the horizon is crisp and stark,
or when clouds boil, flowering in blue sky,
or when the black of a coming storm menace,
or in the calm of sunrise, waters flat as can be,
never the same from day to day,
but same never-the-less.
You’re on your own out there.

They do not visit this place
as the yachtsmen do, to pleasure the day
they live this world, all of it, its peace and hell alike.

Then back home again and out on the town
into dazzling lights, dark bars, a drink
having fun with women
punk rock songs and randy jokes.

Saint Joseph certainly must be there,
with faith’s wafer and wine certainty and protection
warding off threat of wave and rock
in the heave and thrust of swells
uneven footing, a dangerous winch cable
screaming on its spool.

There is a muscle taut energy
in this small 35-foot lobster boat
heir to the fast Grand Bank fishing schooners,
proud large trawlers, the great hauls.
These rock crawling scavengers
are all that’s left to harvest now,
bend the muscles to.
It’s traps now, was nets then, always the haul,
the heft of the prey on the deck
in the heave and rolling wave of the sea.

The big thing to think about
what many of us do not
is who and where we are in this world.
So few know, but those whose working rhythm
is embedded in it, do.

A Saint Joseph medallion dangles from the rear-view mirror
of their pickup loaded with traps and pots
and its angry foul bumper stickers.
But when some mindless snob on autopilot
with cutters on his flashy yachts’ prop
tears through a line of pots all the day’s money’s gone
What’s Saint Joseph to do then
you have to keep asking.
Oh, they’re not paying what they used to, 3 bucks a pound,
not worth it sometimes when they’re 10 bucks afterward.
Every day, passing by the Dog Bar, offloading the stuff,
tired, returning to the slip, tie up, disembark
and, bone hope weary, might take to drink again.

In the coherence of this life,
(the faith and ceremonies, a Cardinal’s blessing
once a year doesn’t do much)
no matter how small it seems
faith punctuates the daily chores,
but it’s the rhythm of the lobsterman’s life
out and back again, bait and reap
that sustains as it does for all working men,
the doing of it.

Kent Bowker

 

Kent Bowker started with poetry at Berkeley in the Fifties, then became a physicist working mainly in optics.  His new book of poems is Katharsis: Sifting Through a Mormon Past.  He lives in Essex, next to the Great Marshes and is treasurer of the Charles Olson Society.

 

October

Autumn at the Shore. Joseph Eliot Enneking (1881 - 1942)

Autumn at the Shore.                            Joseph Eliot Enneking (1881 – 1942)

The leaves are falling

The dense green wall of foliage slowly disappears

into yellows, oranges, mixed greens,

the growing bronze of towering oaks,

dots of scarlet here and there,

and in this thinning, vistas opening up:

more than we can,

for it is about us, of course in the long run

though we may not see it that way,

for the vistas opening here, always it seems

to the sea.

The sea that surrounds this island of Beau Port, Gloucester

or the sea tide that floods the marshes

our island sea

it’s sad for those who cannot open up

closeted in importance, or lost in drug fueled evasion

who can’t feel the ebb and flooding surges

of this sea in us and around us.

Kent Bowker
October 20, 2016

 

Kent BowkerKent Bowker started with poetry at Berkeley in the Fifties, then became a physicist working mainly in optics.  His new book of poems is Katharsis: Sifting Through a Mormon Past.  He lives in Essex, next to the Great Marshes and is treasurer of the Charles Olson Society.

 

 

A Gloucester Rengu (linked haiku)

Digital Collage by Bing McGilvray

Digital Collage by Bing McGilvray

The bronze face stares
Out, beyond breakwater’s edge,
Yellow moon rising..

Squawking roof ridge  gulls
Gossiping, suddenly rise,
White-black globs falling

Bronze hands hold the wheel
Tight against the bashing sea
Heavy rain forecast.

Wildly tumbling gulls
Diving  behind a trawler,
Pierless occupation.

Lost fishermen’s names
One hundred on George’s Bank
Record Catch report.

Where pink beach roses
Edge rocks, furious seas break,
Gabbianos peck.

Children anxious,
Have all the boats returned?
Widow’s walk crowded,

San Pietro coming
Held high by six owners, wobbling,
Sinking memories.

The swift sweeping tide
Rushing past Annisquam Light,
Madly tacking, pushed back..

Ferrini moon danced
Olson delivered mail
Thunderous acclaim.

Babson’s tales in Maximus
Olson’s great poem,
Rants in the G D News.

Only lobsters now
Great cod landings a memory,
Avaricious failure.

Smiles passing by on main street
Fresh bread, Sicilia’s,
Fog lifts slowly in the morning.

Soaring  high hunter,
Quick, red tail searching Dogtown.
Silent lobsters crawl.

Sea waves never stop
For famous Cape Ann’s Artists,
Loving the beauty.

Great granite ledges
Quarried deep swimming pools,
Delicate Heron.

Kent Bowker 5/24/2016

Kent BowkerKent Bowker started with poetry at Berkeley in the Fifties, then became a physicist working mainly in optics.  His new book of poems is Katharsis: Sifting Through a Mormon Past.  He lives in Essex, next to the Great Marshes and is treasurer of the Charles Olson Society.

It’s Boiling Hot

On Pavillion Beach. © 2014 Jeff Weaver (b. 1953)

On Pavilion Beach.                                                                                            © 2014 Jeff Weaver (b. 1953)

Its boiling hot, they’ve gone to catch the wind 
at high tide when you can sail the tidal river 
above the sandbars, when the scope is wide 
room to tack and reach, as we try to reach to the far 
points in our life where you are the self you wish to be 
away from the effigies others might prefer 
beyond the expectations of correct behavior and pieties 
free of the sand bars in our circumscribed environment 
the enclosing freeways that bind us into pockets 
webs of mercantile definition, malls of distance, 
the all-together loneliness of the social web. 
This is not the place for me. 

Where can one go to be free of this American entrapment 
where black and brown and white can live in harmony 
where all beliefs, intellect and toil are respected, 
was our Cape Ann like that, not entirely but enough 
the classes did mix, brawls were plenty enough 
but the morning light broke bright on sea calm water 
where rancor stills and the gulls cry instead. 
Perfection of a sort sadly doesn’t last 
the tentacles of wealthy desire slowly penetrate 
crawling over the bridge, tourists who end up staying 
and driving up the rents, buying the cheap houses; 
improving them twists the old mix out  working people 
can’t afford to be here any more, to smell the same sea 
air, feel the tidal sweep over the marshes 
swim in the warming creeks. 

Kent Bowker 
July 7, 2016 

Kent BowkerKent Bowker started with poetry at Berkeley in the Fifties, then became a physicist working mainly in optics.  His new book of poems is Katharsis: Sifting Through a Mormon Past.  He lives in Essex, next to the Great Marshes and is treasurer of the Charles Olson Society.

There is Great Love

Hospital in Arles. 1889. Vincent van Gogh (1853-1890)

Hospital in Arles. 1889.
Vincent van Gogh (1853-1890) 

There is great love in this place of devastation
dire illness, rank injury, and near death
I watch from my room’s uncurtained door
the  Brownian movement of white coats
stethoscopes dangling, aids in blue, nurses white
incessant motion, seemingly without meaning
they look at a board I see the edge of and rush off
urgently beyond the narrow scope of my vision
I miss the action when they come to work on me
they draw the curtain that distracts me from my pain
I joke where there are no jokes, let them probe.
One more CAT scan before I rise to higher floors
but still must wait in the corridor and see the action newly.
Then I see them coming, the worried, anxious and fearful
lovers of those thrown up, wrecked here.
A soft eyed black family waiting to know for their son was shot,
Japanese crying, solitary women dreading their love’s fate,
There is great love in this place of devastation.

Kent Bowker     1/18/2016

Kent BowkerKent Bowker  started with poetry at Berkeley in the Fifties, then became a physicist working mainly in optics.  His new book of poems is Katharsis: Sifting Through a Mormon Past.  He lives in Essex, next to the Great Marshes and is treasurer of the Charles Olson Society.