Talkin’ Glosta

by Peter Anastas

Mug-Up at the Fort.          © 2002 Jeff Weaver

A friend put the bug in my ear.

“Why don’t you write about how people in Gloucester love to talk?”

“I’ve been thinking about it,” I said.

“You mean you’ve been yakking about it up and down Main Street.”

“Well, I’ve asked a few people if they’ve ever noticed how much we all enjoy jawing.”

“My God,” my friend broke in, “the ear is bent as much as the elbow in this town!”

“It’s a long winter.”

“Don’t make any excuses. This is a big oral town, summer or winter. It’s been that way from the beginning. Do you know that the largest number of court cases in the 17th and 18th centuries involved slander? Not only did people talk about each other at the drop of a hat, they took each other to court if they didn’t like what they heard somebody else had said about them!”

“Gossip is another thing,” I said. “It’s endemic in a small town. You can’t get away from it. What I’m more interested in is how the fact that people do love to gab in Gloucester shatters the myth of the taciturn Yankee, you know—the New Englander of few words.”

“That only happens with outsiders,” my friend replied. “And maybe it’s done to keep up an image. With each other it’s different. If you call someone up, be prepared for a siege of it. I always keep a snack and something to wet my whistle by the phone just in case.”

“You’re exaggerating!”

“I kid you not. A call from my mother is worth an evening.”

“Don’t blame it on your mother! I’ve never found you at a loss for words.”

“You’re right,” he said. “Once someone told me ‘I can tell right off you’re from Gloucester—you can’t stop talking.’”

“Here’s one for you,” I broke in. “Some friends from Philadelphia were visiting last month. We’re driving down Main Street. In front of us is a car. Suddenly a guy waves to the driver from the sidewalk just outside the Savings Bank. The driver jams his brakes on, cranks his window down, and they start a conversation in the middle of the street on Saturday morning!”

“I’ve had that happen to me many a time,” my friend said. “In fact, I’ve done it myself.”

“Well, my company was dumbfounded. They asked me why I didn’t blow my horn and yell at the driver to get going. ‘They’ll move when they’re finished,’ I told them. ‘Besides, they probably haven’t seen each other for a day or two.’”

“I’ll never forget how frustrated my wife used to get,” said my friend. “Before we moved back to Gloucester she always complained she couldn’t get a word in edgewise. After we settled here, she just threw up her hands in despair—’there’s no relief!’”

“What do you suppose is the reason for all this loquacity?” I asked.

“I think it goes back to Gloucester’s having been cut off from the rest of the world by our island geography and by the harsh winter weather,” my friend replied. “People tended to make their own entertainment. The men would go fishing and leave the women and children to their own devices. So the women told stories and gossiped to pass the time. When the men came home they were expected to share the stories of the trip. What they didn’t tell at home they’d talk out among themselves on Main Street. The children picked up the habit of talk as a pastime and oral history. It was the way you found out nearly everything you knew about the world growing up—and the way you passed it on to others. Habits and customs like that persist, even though the need for them changes.”

“And you think that hasn’t been undermined by Facebook and Twitter?”

“People don’t seem to talk any less do they?”

“There’s less storytelling and that’s a shame,” I said.

“I think the older folks feel the youngsters might be bored so they just tell stories among themselves,” he said. “Of course, it’s a great loss to the kids. All that beautiful personal detail dies with the old people—and a whole way of life disappears along with it.”

“We can joke about talking,” I said. “But there’s something really human about it.”

“It’s real,” he answered. “It’s people interacting without the interference of media and the outside world. The talk between people is the hum and buzz of the community. Stop that and you stop life itself.”

“So you think Gloucester talk is really a continuation of an age-old need for people to stay in touch, to remain current with each other—to feel alive in a world that tends to ignore us?” I asked finally.

“Something like that,” my friend said.

“Thanks,” I said. “That should get me writing. See you around. . . Oh, if you come up with anything else, give me a ring. In fact, call me anyway. . .or I’ll call you.”

“Okay,” said my friend. “Talk with you later.”

 

Peter Anastas, editorial director of Enduring Gloucesteris a Gloucester native and writer. His most recent book, A Walker in the City: Elegy for Gloucester, is a selection from columns that were published in the Gloucester Daily Times.

 

From the Editors of Enduring Gloucester

EG Christmas

Christmas in Glosta. 2018. ©️ Bing

A year’s end wish to our readers and contributors from all of us at Enduring Gloucester: 

May your holidays be happy and safe, and your New Year filled with many blessings.

We appreciate your support and look forward to sharing with you another year of celebrating this magical place we all call home.

The Editors.

Ben Nelson’s Curiosity Shop

Photos © Bing

by Bing McGilvray

On Main Street, shops come and go, as do buildings over time. Time on Middle St. has tried, somewhat successfully, to stand still. It still evokes the days of Schooners, Sargent, Hopper, Blackburn and Olson. Past, present and future dance here.

Center Street connects Main and Middle and in the middle of Center Street, at #6, you’ll discover the Post Historic Studio. The brainchild of Ben Nelson, PHS is a holistic experience, his and ours. You would not be wrong in calling it an artsy retro-chic antique boutique but it is so much more.

Ben, a friendly young man with a creative, nimble mind and a pet rabbit named Mr. Rabbit, happily answered my questions without ever putting down his brush. He may just be the coolest new kid on the block.

Ben Nelson

Bing: OK. Sitting here with Ben Nelson, proprietor of the Post Historic Studio. How long have you been open?

Ben:  I opened on May 27th of this year. It was a really cool start. I had a special artist, a performer from California, Joe Louis (Salami Rose) come in and play for the opening.

Bing: PHS is so enchanting, there’s some magic happening here. Everything’s going well? You’ve said people enjoy coming and hanging out.

Ben:  Oh yeah. It’s a really fun place to hang out.

 

 

 

 

 

Bing: Every time I come in you are painting. You’re working on this beautiful fish at the moment.

Ben:  I paint friend’s pets on commission. This one is just for fun.

Pet Portraits

Bing: Tell me about you. You’re young, 20 right?

Ben:  Yes, I am. Well, I originally convinced myself I was going to go to college for pharmacology. I was committed to that. When I got to college I was disappointed. Not what I expected. Kind of like high school all over again. Especially with the college I picked.

Bing:   (laughs)

Ben:  I think I learned and changed a lot after that experience.

Bing: Absolutely, yeah.

Mr Rabbit

Ben:  Pharmacy wasn’t worth it. I didn’t want it anymore. I would have been $200,000 in debt.

Bing: Right. Instead …

Ben:  I opened this studio in Gloucester. I grew up in Rockport, lived here 17 years. So, I know the area. Came back looking for a place. This one popped up at just the right time.

Bing: Perfect. It’s a wonderful mish-mash of an artist’s studio and gallery, curiosity shop and as you said, a place for like-minded minds to intermingle. I don’t think there’s anything on Cape Ann quite like it.

Ben:  It’s a very fun, creative environment.

Motif © Ben Nelson

 

Bing: Indeed. Tell me how you came up with the name Post Historic Studio.

Post History © Ben Nelson

 

 

 

 

 

 

 

 

 

 

Ben:  The title took a really long time. We had group chats to brainstorm names. I asked my English teachers and all my friends. At first, it was going to be The Gloucester Gallery. But I wanted something more interesting. I’m in the process of making a giant T-Rex skull, still working on it. So I was thinking pre-historic and then came Post Historic.

Bing: Yeah, it’s really good. Strangely, it does describe the place. Whimsical, future nostalgia. Poetic, ironic and iconic, a paradox of space and time. You’re doing a daily, extended performance piece.

Ben:  Wow. You’re right. Thanks.

Bing: Thank you, Ben. I’m going to walk around and take some photos. You are really doing something special.

VCR Tapes Available!

Ben at Work

Tune In, Turn On, Drop By …

To Soothe the Savage Beast

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bing McGilvray is an artist, flaneur, raconteur and bon vivant living in Gloucester.

Bing